Burkholder4nd9

Always Watch Your Back

written by: Dan Burkholder

I’m not sure who said it first, but the advice, “When you think you’ve found the best shot, turn around and look behind you” was the wise counsel that left me with a keeper during an early morning shoot in the Catskills. I’d stopped to photograph a waterfall from a stone bridge when a cloud blew in silently but with amazing swiftness. Suddenly, the friendly upstate New York mountains felt more like a spooky English moor. The mist was so thick that the waterfall below the bridge utterly disappeared in the haze. Thinking that the best shooting for this location was Read more »

Schranz1nd9

Changing Focus and Luminescence Post-Capture

written by: Paul Schranz

I just took my first trip to Point Lobos on California’s west coast since I transitioned to digital several years ago. Before that I had always shot with a medium- or large-format camera. With digital tools at my disposal, I decided to produce a photograph using the extended depth-of-field capability of Photoshop CS4. I selected a relatively small image, with sufficient distance between the rocks in the foreground and the wet glossy plateau on the rock at the back of the image. I made three exposures, each focused differently, and imported the resulting images into Lightroom, which I use as my initial Read more »

Steinmuller5nd9

Corner Sharpening

written by: Uwe & Bettina Steinmueller

Lenses are not ideal. Most of us have ended up with images in which the corners of the frame look too soft. This is not important for all pictures, but matters when the main subject covers the full frame and focus falloff is obvious. In such cases, post-capture fixes present an opportunity to save the picture. Of course using more appropriate lenses in the first place is the best solution, but it’s too late once you have taken the photo and cannot go back. I’ll show my technique for improving a photo with lens falloff in the context of a full Read more »