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	<title>Photo Technique &#187; End Page</title>
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	<description>photo technique has been inspiring photographers for more than 30 years. It is a professional photographic resource that includes all photographic techniques available in the 21st Century. We showcase dynamic creative portfolios, technical articles, commentary by today&#039;s leaders in the world of photography.</description>
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	<copyright>Copyright &#xA9; Photo Technique 2012 </copyright>
	<managingEditor>derek@wahilacreative.com (Photo Technique)</managingEditor>
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	<itunes:summary>photo technique has been inspiring photographers for more than 30 years. It is a professional photographic resource that includes all photographic techniques available in the 21st Century. We showcase dynamic creative portfolios, technical articles, commentary by today&#039;s leaders in the world of photography.</itunes:summary>
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	<itunes:author>Photo Technique</itunes:author>
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		<title>Chris Boswell</title>
		<link>http://phototechmag.com/chris-boswell/</link>
		<comments>http://phototechmag.com/chris-boswell/#comments</comments>
		<pubDate>Wed, 01 May 2013 05:20:23 +0000</pubDate>
		<dc:creator>bree</dc:creator>
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		<description><![CDATA[This photograph was taken on my second trip to Myanmar/Burma. First time visitors will often find themselves in awe with golden temples, rich history and warm people. My preference is to keep off the tourist paths, explore the local markets and observe the daily life. I endured a 24-hour ride on a hilariously bumpy train, slept on a pile of teak lumber, ate delicious street food and even experienced a 7.2 earthquake. Photographic inspiration is everywhere. Often local markets are covered or shaded making the shot more challenging. One of the best advantages of digital for me, is the ability  <a href="http://phototechmag.com/chris-boswell/">Read more &#187;</a>]]></description>
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		<title>Dennis Keeley</title>
		<link>http://phototechmag.com/dennis-keeley/</link>
		<comments>http://phototechmag.com/dennis-keeley/#comments</comments>
		<pubDate>Fri, 22 Feb 2013 07:14:39 +0000</pubDate>
		<dc:creator>bree</dc:creator>
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		<guid isPermaLink="false">http://phototechmag.com/?p=7013</guid>
		<description><![CDATA[I made this photograph in Mexico City in 2007. My students had left that morning for the highlands of Veracruz to work on a photo project about the role of women in indigenous societies. It was my first day alone in the city and I walked around without much of a plan. In the afternoon a random thunderstorm soaked everything including me. Many of my photographs seem to address a state of inertia contrasted by an opposing quality of activity. The tree and bus themselves would be separate opportunities to tell a story about the place, but the photograph I  <a href="http://phototechmag.com/dennis-keeley/">Read more &#187;</a>]]></description>
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		<title>Kayce Baker</title>
		<link>http://phototechmag.com/kayce-baker/</link>
		<comments>http://phototechmag.com/kayce-baker/#comments</comments>
		<pubDate>Thu, 27 Dec 2012 00:59:02 +0000</pubDate>
		<dc:creator>bree</dc:creator>
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		<guid isPermaLink="false">http://phototechmag.com/?p=6086</guid>
		<description><![CDATA[I knew I was heading up the mountain for the day but I wanted to travel light and I wanted to shoot film. I took the X-Pan with me as my backpack camera. It was dumping snow the whole day and I was watching these guys hit the park all afternoon. At around 3pm the skies opened up and sun just came barreling through to light up the whole mountain and lake. I knew what shot I wanted, now I just had to get the guys to hit the rail just right. I set the camera to F/11 @ 1/500th  <a href="http://phototechmag.com/kayce-baker/">Read more &#187;</a>]]></description>
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		<title>Saks Fur Co.</title>
		<link>http://phototechmag.com/saks-fur-co/</link>
		<comments>http://phototechmag.com/saks-fur-co/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 15:01:48 +0000</pubDate>
		<dc:creator>bree</dc:creator>
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		<guid isPermaLink="false">http://phototechmag.com/?p=5526</guid>
		<description><![CDATA[8&#215;6 Glass plate negative original, and part of the National Photo Company Collection, Courtesy of the Library of Congress, Prints &#38; Photographs Division, Washington, D.C. Call Number LC-F82- 5681. The photographic files of the National Photo Company include approximately 80,000 images. To view more of the collection visit loc.gov/pictures/.]]></description>
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		<title>Arcadia Rom-Frank</title>
		<link>http://phototechmag.com/arcadia-rom-frank/</link>
		<comments>http://phototechmag.com/arcadia-rom-frank/#comments</comments>
		<pubDate>Sun, 26 Aug 2012 04:20:35 +0000</pubDate>
		<dc:creator>bree</dc:creator>
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		<description><![CDATA[This is the photo that made me a ‘photographer.’ After a series of disappointing events at a summer arts camp I doubted my passion for photography. But I stumbled upon a simple scene that compelled me. From this simple setting I made a photograph that I was excited to print. I was so happy with this picture that afterwards wherever I looked I saw photographs. I feel as if I know what to look for now that I made a “successful” photograph. I continue to look for that same burst of inspiration that came from that moment of frustration.]]></description>
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		<title>Donna Foster</title>
		<link>http://phototechmag.com/donna-foster/</link>
		<comments>http://phototechmag.com/donna-foster/#comments</comments>
		<pubDate>Tue, 26 Jun 2012 14:43:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[When I created this portrait it was the first time I had photographed Boxers. As I was editing and staring at my computer monitor, all of the sudden I realized I was laughing out loud. Over and over as I looked at the images I was laughing. These boxers had such personality. When I’m working with dogs, some will lick my lens and surely all will stick their wet noses right into it. I know I’ll get lots of kisses, some slobbery and some not. As a photographer, I explore and capture the relationship and the affection between pets and  <a href="http://phototechmag.com/donna-foster/">Read more &#187;</a>]]></description>
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		<title>Mel DiGiacomo</title>
		<link>http://phototechmag.com/mel-digiacomo/</link>
		<comments>http://phototechmag.com/mel-digiacomo/#comments</comments>
		<pubDate>Wed, 30 May 2012 19:28:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://phototech.pairserver.com/?p=3368</guid>
		<description><![CDATA[It was one of those dog days of August that the weathermen talk about. The thermometer registered in the mid 90’s and it was terribly humid when I was a kid growing up. Near to Jersey City piers, my friends and I went to Palisades Park to “the world’s largest salt water pool” to cool off. Palisades Park, sadly, was torn down years ago. The children in my photo had, in my opinion, the most romantic ‘swimming hole’ in all of New Jersey. No place on the Hudson compares with Jersey City’s Hudson River. Edgewater, North Bergen, West New York,  <a href="http://phototechmag.com/mel-digiacomo/">Read more &#187;</a>]]></description>
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		<title>Charles Mason</title>
		<link>http://phototechmag.com/charles-mason/</link>
		<comments>http://phototechmag.com/charles-mason/#comments</comments>
		<pubDate>Sun, 27 May 2012 23:32:11 +0000</pubDate>
		<dc:creator>bree</dc:creator>
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		<guid isPermaLink="false">http://phototech.pairserver.com/?p=1056</guid>
		<description><![CDATA[Well technically, I guess this is the mask of a Dalek, a fictional extraterrestrial race of mutants, from the British Dr. Who television series. The model is my daughter Hannah, who was seven at the time the photo was taken in our yard in Fairbanks, Alaska. We were actually in the process of returning the mask, as it was a birthday gift for her brother Zachary, but proved to be so uncomfortable he couldn’t wear it. I convinced Hannah to put it on for a couple of frames before I boxed it up. That’s about the limit of her tolerance  <a href="http://phototechmag.com/charles-mason/">Read more &#187;</a>]]></description>
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		<title>Harvey Stein</title>
		<link>http://phototechmag.com/harvey-stein/</link>
		<comments>http://phototechmag.com/harvey-stein/#comments</comments>
		<pubDate>Sun, 27 May 2012 23:10:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[“I am always interested in photographing photographers photographing. They (we/I) often look so strange doing it, whether lying on the ground, bending over backwards in strange contortions when we really don’t have to, or stretching to greater heights to shoot our masterpieces. At Coney Island, there was this photo booth (now long gone) that I’d often check out to see if anything interesting was happening. And this afternoon there was. At first, all I saw were the legs and that’s what intrigued me and that is what I photographed. I eventually saw more, but I’ll never tell.”]]></description>
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		<title>Marsel van Oostan</title>
		<link>http://phototechmag.com/marsel-van-oostan/</link>
		<comments>http://phototechmag.com/marsel-van-oostan/#comments</comments>
		<pubDate>Sun, 27 May 2012 20:42:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://phototech.pairserver.com/?p=591</guid>
		<description><![CDATA[Namibia is not only the least densely populated country in the world; it is also one of the driest. The clear desert air is perfect for shooting stars and star trails. I had planned the trip to coincide with the new moon so that we would have pitch-dark nights with lots of stars. For my first exposure, I waited until the sun had set and the sky was already quite dark, so no need for any filters −the foreground was lighter than the sky. The 30-second exposure with my Nikon D3, AF-S 17-35/2.8 lens, was enough to pick up some  <a href="http://phototechmag.com/marsel-van-oostan/">Read more &#187;</a>]]></description>
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