Dover’s History Trip- Part IV

By David Vestal Back to

David Vestal, Dover's History, history of photography, photo mag, photo technique 117. Wright Brothers Postcard, 1915, by Unknown Photographer (cut-and-paste collage, airplane added to Main Street photo)

This is the final installment of a series in which David Vestal gives insight into historic photographs selected from Great Photographs from Daguerre to the Great Depression, published by the Dover Press and used with their permission.

117. Wright Brothers Postcard, by Unknown Photographer, 1915. This is a booster postcard promoting the wonders of Springfield, Minnesota. It is a good cut-and-paste job, a bucolic equivalent to the montages of avant-garde art photography. It’s well calculated to get our attention, but would not have fooled Sherlock Holmes.

“Observe, Watson, the direction of the sun, as shown by light and shadows on Main Street. The sun is directly to the left, is it not? Look now at the lower wing of the airplane. The shadow of the upper wing that is seen through the lower wing’s translucent tip shows that for Wright’s Flyer, the sun was above and behind. We do not have two suns that shine simultaneously from different positions in the sky. Ergo, the airplane was cut from another photograph and pasted onto the picture of the street. And what, pray, is an airplane, vintage circa 1909, doing just above the main drag of an alert community that boasts, ‘Wide awake and up to date/No better town in any state’ in the year 1915? We miss, do we not, the large, dramatic shadow of the airplane that would fall, were this scene wholly natural, upon the street and buildings at the right of the picture.”

“Once again, Holmes, you astound me.”

“Elementary, my dear Watson.” Nice postcard, though.

Would you like to continue reading?

Enter your username and we will send you a new password.
The email will be sent to the email address you used for your account.

Subscribe

About the Author

David Vestal
Dvestal
David Vestal is a photographer and teacher whose publications include The Art of Black & White Enlarging (1984) and The Craft of Photography. His photographs are exhibited internationally and are found in numerous private and public collections including New York City’s Museum of Modern Art and the George Eastman House in Rochester, NY. The wit and wisdom of his commentaries have long earned him a strong following among readers.