January - February 2009 Technique Improve Print Tones through Better Curves Layers These Advanced Photoshop Techniques Can Fix Poor Exposures Ctein Digital Image Capture Done Right Your camera may be a computer (sort of), but that doesn't mean it's as smart as you are Mark Dubovoy Diffraction: Resolution taxed to its limits Many think a higher f-stop automatically means greater detail; they're wrong Lloyd Chambers Ghosts and Masks Sometimes Images and Emotions Emerge from Photos When We're Not Expecting It- Be Ready to take Advantage Bruce Barnbaum Books Tony & Eva Worobiec: Icons of the Highway Michael Collier: Over the Rivers: An Aerial View of Geology In Depth Does Printing With Both High-Contrast and Low-Contrast Filters Create a Richer Print? Split Filter Printing Has Many Advocates– Tests Reveal Whether It Actually Helps Dick Dickerson & Silvia Zawadzki Insight A Commercial Photographer’s Viewpoint Bridge and Raw Improvements Lead Changes Nick Zavalishin A Fine-Artist’s Perspective Photographic Workflow and Tool Improvements Uwe & Bettina Steinmueller Don’t Delete Images, Old and New, Are Pay Dirt David Vestal News Software ‘beautifies’ portraits Jerry O'Neill Biggest Stereo Camera in the Universe? And Other Wonders of the Solar System in Online Photos Jerry O'Neill On Location Field Work What Gear to Bring into the Field– and What to Leave Behind Pete Myers Portfolios Afghan Dreams Tony O'Brien Project & Process A LARGER Darkroom Howard Bond