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January - February 2009

JF2009Cover
  • Technique

    Improve Print Tones through Better Curves Layers
    These Advanced Photoshop Techniques Can Fix Poor Exposures

    Ctein

    Digital Image Capture Done Right
    Your camera may be a computer (sort of), but that doesn't mean it's as smart as you are

    Mark Dubovoy

    Diffraction: Resolution taxed to its limits
    Many think a higher f-stop automatically means greater detail; they're wrong

    Lloyd Chambers

    Ghosts and Masks
    Sometimes Images and Emotions Emerge from Photos When We're Not Expecting It- Be Ready to take Advantage

    Bruce Barnbaum

  • Books

    Tony & Eva Worobiec: Icons of the Highway

    Michael Collier: Over the Rivers: An Aerial View of Geology

  • In Depth

    Does Printing With Both High-Contrast and Low-Contrast Filters Create a Richer Print?
    Split Filter Printing Has Many Advocates– Tests Reveal Whether It Actually Helps

    Dick Dickerson & Silvia Zawadzki

  • Insight

    A Commercial Photographer’s Viewpoint
    Bridge and Raw Improvements Lead Changes

    Nick Zavalishin

    A Fine-Artist’s Perspective
    Photographic Workflow and Tool Improvements

    Uwe & Bettina Steinmueller

    Don’t Delete
    Images, Old and New, Are Pay Dirt

    David Vestal

  • News

    Software ‘beautifies’ portraits
    Jerry O'Neill

    Biggest Stereo Camera in the Universe?
    And Other Wonders of the Solar System in Online Photos

    Jerry O'Neill

  • On Location

    Field Work
    What Gear to Bring into the Field– and What to Leave Behind

    Pete Myers

  • Portfolios

    Afghan Dreams
    Tony O'Brien

  • Project & Process

    A LARGER Darkroom
    Howard Bond

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