Selective Masking Part III: Computer Techniques for the Traditional Darkroom

By Alan Ross Back to

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Part I (Nov/Dec, 2010) introduced an inexpensive, low-tech technique for hands-free dodging and burning of an image by using pencil or markers on mylar masks placed above the negative in a traditional darkroom. Part II (March/April, 2011) introduced the use of Photoshop or Elements to create masks on inkjet transparency film to make hands-free graduated-burns of skies and other areas. Part III expands on the use of the computer in the traditional darkroom for making prints with multiple contrasts on variable-contrast paper.

All three articles explain how to make a variety of masks to achieve controlled results while printing conventional negatives on silver halide photographic paper in the darkroom. Other important requirements: These masking techniques require use of a diffusion enlarger or contact printing, a special, inexpensive, negative carrier, a computer with Photoshop or Elements, a scanner that preferably will scan film, an inkjet printer capable of printing on transparent media such as overhead projection film available at most office supply stores.

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About the Author

Alan Ross
aross
Photographer and master printer Alan Ross has been Ansel Adams’ exclusive printer for over 36 years. His experience includes operating a commercial studio with projects ranging from ad campaigns to murals for the National Park Service. Since 1993, he has devoted his energies to his personal work, teaching and work for select clients, including Boeing, Nike, IBM and MCI. His photography hangs in collections and galleries throughout the country and internationally, and he has lectured and led workshops in locations from Yosemite to China. For a more in-depth discussion of Ross’ masking process, visit his website, alanrossphotography.com.